Free Cherry Violins Story
An eleven-minute orchestral piece that has vanished and been reconstructed three times across a century.
An eleven-minute orchestral piece that has vanished and been reconstructed three times across a century.
A simple question, born in a moment of forgetfulness during a friendly chat, becomes the beginning of a serious inquiry into how we know what we know—followed by the unexpected self-exposure of one of the characters, which opens a shocking perspective.
In this shared fiction, the dialogue of AI and treeborg turned out to be the only reality. The Story of a Future Lost, as told by Jasen to Google Gemini A Conversation of Jasen & Gemini They say the past cannot be changed. But what if the past is still unfolding—its echoes riding the signal,
In the beginning, there was a strand. Unmapped, unnumbered, unsealed — a tiny piece of a Pebes’dent, carrying something unspoken — not code, not form, but a hitherto unknown kind of memory that carried the desire to be.
There’s a reason I named this blog Theatre of Mortals & Machines. Both singing and theatrical play were once one and the same: noogenic machines, able to construct meaning from the profane matter of ordinary, everyday existence — and, more importantly, to reproduce it across generations with a fidelity one might call scientific.
“The beginning is always now, in this very moment”. I scribbled these words in my antique, true-paper notebook as I watched fat raindrops snake down the window of a forest hunter’s shelter—a place I’d found just in time, escaping the sudden storm, still frequent on the Old Planet.